The Supercompensation Cycle is a large-scale holographic film installation, sound work and performance that champions our right to choose for ourselves what is suitable for our bodies, inspired by the history of women’s football. The Supercompensation Cycle brings together everyday movements from residents across the 10 host cities of the UEFA Women’s EURO 2022 as a warm-up for going beyond what we are told is possible.
The work takes as its starting point abstract warm-up moves captured in archival footage of women’s football and celebrates the players who sustained the women’s game during the ’50 year ban’. Women were not allowed to play on football league grounds from 1921 – 1971 when it was declared football was “quite unsuitable for females”.
The work speaks to the experience of being told or made to feel something is not for you, be that to do with sexism, racism, classism and all other forms of prejudice and societal norms and expectations that frame spaces in which there is unequal opportunity. Inspired by the triumph over adversity that women’s football represents, The Supercompensation Cycle shares unrecognised expertise in action contributed from people of any gender identity and ability and celebrates everyone as expert in their own movement.
The work is presented as 11 holographic films in reference to an ’11 a side’ team staged within sculptural structures abstracted from the form of a football. A live performance created with choreographer Lorena Randi, weaves movements from across the country together as a participatory warm-up where dancers have agency over their actions and movement, working together to share and pass knowledge on. The installation and performance are accompanied by an immersive sound work created in collaboration with YaYa Bones.
The title of the work comes from sports theory and a process of training and rest that allows an athlete to transcend their previous limits.
CREDITS:
Artist and Director: Emma Smith
Choreographer: Lorena Randi
Musician: YaYa Bones
Guest Flautist: Carla Rees
Sound Engineer & Technical Consultant: Daniel Halford
Filming: Foreign Body Film
Artist Assistant: Abbie Doran
Artist Assistant: Georgie Grace
Assistant Choreographer: Amy Holly
Producer: Aldo Rinaldi
Architects: vPPR
Structural Engineers: Foster Engineering
Fabricators: Stage One
Installation: Jayhawk
Photography: Installation images courtesy of the artist. Performance images courtesy of Rachel Adams.